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8 comments on “ Bitty Ditty - Miles Davis And Milt Jackson - Quintet / Sextet (Vinyl, LP, Album)

  1. Label: Prestige Box 1 CD Tracks: 1. Dr. Jackle Miles Davis 2. Bitty Ditty Miles Davis, Milt JACKSON 3. Minor March Miles Davis, Milt JACKSON 4. Changes Miles Davis, Milt razarsslopapenpulhegeekgemitdera.coinfo Rating: % positive.
  2. Miles Davis and Milt Jackson - Miles Davis and Milt Jackson - Quintet/Sextet [LP] - razarsslopapenpulhegeekgemitdera.coinfo Music5/5(3).
  3. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of 6/
  4. Jan 22,  · Offered for sale is a Japanese pressing of Quintet/Sextet by Miles Davis and Milt Jackson, complete with the original obi. About this copy: This copy of Quintet/Sextet is a Japanese pressing of an LP that was originally released in The cover, obi, and disc are all M-.   The insert is missing.
  5. Jan 22,  · Discover releases, reviews, credits, songs, and more about Miles Davis And Milt Jackson - Quintet / Sextet at Discogs. Complete your Miles Davis And Milt Jackson collection/5().
  6. Tracklist: 1. Dr. Jackle () 2. Bitty Ditty () 3. Minor March () 4. Changes () „Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, session with vibraphonist Milt Jackson was.
  7. Davis and Jackson combine for pungent voicings on the head to “Bitty Ditty,” then demonstrate their elegant mastery of harmony and swing. Both are inspired by the shape of Jones’ line, and are completely unfazed by its intricacies.
  8. This set (formerly known as Miles Davis and Milt Jackson) is highlighted by "Dr. Jackle" and "Minor March." Both by Scott Yanow -All Music Guide-Blue Moods "In the '50s, the party line among New York jazz critics was that hard bop was the "true faith" and that cool jazz was lightweight and unemotional. But Miles Davis knew better.

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